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July 24, 2009

A Star is Born

I call this: summer stock — Posted by KP @ 7:23 pm

purseheadshotIn the Reagle Players’ production of Mame, an understudy has become a star. I am speaking, naturally, of this purse shown at right. This large, floppy red purse was Dolly’s rehearsal purse during Hello, Dolly. Rachel York grew so attached to it (as we all did) that after a while the search for a “real” purse was called off and the humble red purse got the job. During tech, pockets were built into it to hold specific props. However, in the end it clashed with most of her costumes and was not nearly crazy enough to match Dolly’s personality. Another, rival purse that had actually been a Dolly purse on Broadway was brought in at the last minute to add some star power, and the humble red purse was relegated to the blue bin of rehearsal props, along with a styrofoam bowler hat and some newspapers.

In Mame, it has made it to the stage as the purse of nanny Agnes Gooch in the opening scenes of the show. Speaking of her co-star, Tony nominee Maureen Brennan said the purse “is kind of like my security blanket.” Brennan is currently lobbying for the purse to be cast in Reagle’s next production, La Cage aux Folles.
pursemaureen

The Purse and Maureen Brennan in Mame


July 12, 2009

Mame Tech

I call this: summer stock,theatre — Posted by KP @ 10:45 pm

We’ve finished tech. Didn’t get to run the show yet, but this is a big, complicated one, and it’s taken a lot of drilling to get everyone comfortable with scenes and choreography.

As I announced, I have tweeted the entire tech process in my TechTweet Extravaganza on Twitter. If you look at the tag #TechTweet, you will see my tweets, as well as some of those of the crew who also began using the tag towards the end of the process.

We are now finishing out the day with more choreography review (without tech) so I’m basically just minding rehearsal. About half the cast has been dismissed. I can’t wait to go home. We don’t have a day off this week, but tomorrow is our daylight day of rest, where we don’t have to be in until 7PM.

Normally we would do a run of the show, but we’re going to need to stop a few times to add elements that we didn’t have at tech. I’m just glad this weekend is over and we’re almost there!


July 11, 2009

TechTweet Extravaganza

I call this: summer stock — Posted by KP @ 1:34 am

In the morning we begin tech for Mame. I am planning a TechTweet Extravaganza for the whole day (and maybe Sunday too). Expect many tweets throughout the day.

Follow me at @thegobutton on Twitter.


July 6, 2009

Passarelle – Public Service Announcement

I call this: theatre — Posted by KP @ 10:59 pm

That’s how it’s spelled. Passarelle.
Two S’s, two L’s, one R.
I have made a career of spelling it differently every single time I have to use the word, and even though I’m normally someone who insists on accuracy about things like that, I just stopped giving a damn and decided to throw an arbitrary number of double consonants at the word every time I type it.

Well I just ran across it in a theatrical glossary, and I’m going with that. If you’re interested, a passarelle is a ramp (which is the word most people use when they can’t spell passarelle) which extends from the stage around the orchestra pit.

I’ll use it in a sentence: “Hello, Dolly! at the Reagle Players, 2009, is the first production I’ve ever heard of that used a passarelle and didn’t have someone fall in the pit.”

Eventually I will muster up the enthusiasm to care whether or not there are two L’s in “travellator” (or “travelator,” if you will). I don’t believe there’s any consensus at Phantom, either. In fact, I’m sure I myself have used both spellings in performance reports. A Google search reveals that both seem to be used interchangeably, with the two-L version having more results, and most of them seeming to refer to one of those long treadmill-type things they have at airports, as opposed to an adjustable bridge suspended between two towers which can traverse upstage and downstage. So I guess I will continue to pick a spelling based on my mood of the day.


July 5, 2009

Only in the Theatre

I call this: summer stock,theatre — Posted by KP @ 10:56 pm

SCENE: The hallway of the theatre. The water dispenser is empty. I scan around for someone to assist me in putting the new jug on. The dance captain comes by and I ask for help. So I uncap the jug, and together we lift it over to the dispenser and get ready to flip it over. I say, “OK, on 3?” at the exact time he says, “5,6,7,8…”


July 1, 2009

iCal, iChat and Your Parents

I call this: mac,theatre — Posted by KP @ 1:05 am

Here’s a tip that you might find useful:
I live about two hours away from my parents (something like 40 miles as the crow flies, but that’s New York for you), but as you probably know, I’m out of town for a good chunk of the year.

When I was going on tour, naturally my parents were very interested to know where in the country I was on a given day, whether I was traveling or had a performance that night. My folks are Mac users, but they had never gotten into using iCal. Before going on the road I published the two calendars I was using for the tour (one for each show) on my MobileMe account, and set up my Mom’s computer to subscribe to the calendars.

Every morning my Mom could open iCal and see where I was and what my day was like, and it would be updated in pretty much real time as our schedule changed. By using time zone support, it also gave her the correct local time (i.e. if I had a show at 8PM in Colorado, she would see it listed at 10PM on her calendar).

There are several advantages to this. First of all, it automates the process of “So where are you? Do you have a show tonight?” This is not to say that I was avoiding actual human contact, it actually made our conversations more interesting because it would cut to the chase: “How was your show in St. Louis last night? I was looking at pictures on their tourism website yesterday. Did you see the arch?” The other advantage is that they can see at a glance what my general day looks like. Is it a day off? Is it a crazy one-nighter where I probably won’t have a free moment? Are we on the bus all day? This helps them to decide when is the best time to call me.

Now that the tour is over, I’ve kept up this practice with my summer stock schedule. It’s a little less complicated than being on the road and crossing cities and time zones every day, but it still helps to keep them involved in what I’m doing. If having your parents know your every move concerns you, keep in mind that I’m only sharing my work calendar. Parties and other personal appointments go in a different calendar!

While I’m at it, I should also mention how much iChat has helped me to keep in touch with family while on the road, out of town, and even from the relatively short distance when I’m at home. One of my first blog posts was about how I bought a webcam for my parents so we could video chat (mostly to save money on phone bills). Bear in mind the tech specs in this post are way out of date (it references the recent release of Mac OS 10.4.9, and a camera purchased at a store that is no longer in business, for starters.)

Video chat is still my usual form of communication with my parents (when my internet connection allows, which even worked well on the bus, until the bus internet started to suck). It became especially important when I was on top of a mountain in Colorado and my aunt had to go in for a serious operation. In the middle of the load-in day I was able to go to the back lounge of the bus and spend an hour video chatting with her the day before the operation, and that made me feel a lot better about not being able to see her, compared to how it would have been if we had simply talked on the phone. I felt like I had actually been there, which was very helpful emotionally during the five days it took her to wake up after the surgery.

One of the things that often sucks about doing theatre, especially touring, is the inability to take a day off work whenever you feel like it. Often you have to miss weddings, funerals, and other major life events. If you’re going to be in a situation where you know you will be stuck if something important happens, I recommend setting up your loved ones with a web cam if they don’t already have one. Even if nothing dramatic happens, they won’t give you the “we never see you!” thing quite as much if they can see your lovely face!


June 27, 2009

Dolly – End of Run

I call this: summer stock,theatre — Posted by KP @ 3:44 am

IMG_0760We close Dolly tomorrow, and I’m definitely going to miss it. The show has been a pleasure from start to finish. Our houses have been packed, and the response from the audience wildly enthusiastic. There are so many numbers that stop the show — “Sunday Clothes,” “Hello, Dolly” and “Before the Parade Passes By” tend to be the ones where the actors often get stuck standing there waiting for people to stop clapping for 30 seconds or more. It’s really fun to work on a good show, especially one that has such iconic moments as those three songs. The set is still unwieldy at times (it’s the most inconveniently overbuilt, bent-out-of-shape pile of steel and wood you could ever work with), but it looks great, and a lot of the light cues are really cool and fun to play with. For calling a show, it’s pretty high up there on satisfying experiences. Not so hard as to be frustrating, but it’s challenging to keep up to the level of all the other excellence on the stage.

Today I spent pretty much all my waking hours working on paperwork for Mame, and while I was at it, decided to do the paperwork for La Cage at the same time since they start off the same templates. All the Mame stuff got done, and except for the contact sheet which is half-done, La Cage is as good as it can get until we get closer. It took me six hours, right up until the time I had to leave for the theatre, but I eliminated a few hours of work for myself over the weekend — and over the weekend four weeks from now, when I’d need to do all that La Cage stuff. I’d have kept going too, if I didn’t have to go to the show!

Tomorrow I’ll probably spend some time taking notes on the Mame script, but I’m pretty well caught up until we have a schedule. We have a production meeting on the dinner break of the first rehearsal (I hate doing that, but we had to to accommodate people’s schedules). We’re building the set for this one, which is a big undertaking but also good because we don’t wind up with set pieces that are too tall for the theatre, which happens, oh, every time we use a rental set. A lot of it was built during this past week and is shoved in random corners of the building, like in the dance studio, until Dolly starts loading out tomorrow. The truck will arrive in the afternoon, and all pieces not used in the show will be loaded then. The rest of course will have to wait until they’re done on stage!


June 24, 2009

Equity Stage Managers and AFTRA

I call this: theatre — Posted by KP @ 4:00 pm

Just sharing something I learned, in the hopes that it will help others who find themselves in this situation:

If you are an Equity stage manager and your show is filmed in such a way that you and the actors are paid through AFTRA, you may learn the hard way that once you have done this twice, you must join AFTRA.

EXCEPT, this is not quite true. Because stage managers are not performers, AFTRA waives the need to join the union and still pays you. Normally stage managers get the short end of the stick on Equity issues, but for once we get the far better deal! So if, as happened in my case, AFTRA makes a mistake and sends you a membership letter saying you need to pay them $1,000 before they release the $400 you’ve earned, just call them up and explain that you’re a stage manager and you should be all set! And try not to gloat in front of your cast, most of whom just got totally hosed.

Thanks to Nick for getting all “This is BS!” and doing all the research on this.


June 12, 2009

Dolly Week 2

I call this: summer stock,theatre — Posted by KP @ 3:48 pm

Sorry I haven’t been around much. I’ve been so busy, I don’t feel like I ever have any free time. I actually have a decent amount of time off, but I don’t ever feel like I have time to be alone and uninterrupted long enough to attempt something that requires more than a few minutes of intense focusing. I have been trying to ensure I get enough sleep, especially since I have forsworn soda and to a large extent, coffee, and can’t rely on caffeine to make me functional. I also don’t have exclusive use of my car on this show, so I never go anywhere on the meal break and don’t accomplish much outside of the theatre and the housing, and when I’m at the theatre I never seem to be able to find a quiet place to work without disruption. Everything else in my life is falling apart, but I’m in better shape and the show is going smoothly, so I guess that’s something.

Rehearsals are going really well. The show is going to be great, and Rachel York is going to be an amazing Dolly. I’m very proud of what we’re accomplishing. We’re a little behind where I’d like to be in that we start tech tomorrow and there are still new things to teach today, and we won’t get to do a run before tech (though we will have done something resembling a run for each act — a week apart), but I think tech will go relatively smoothly.

My suspicion about tech is that it will be a show like Carousel, where each act only has a few scenes, and things will progress much more quickly than it seems because really not that much changes. The few changes are huge, but once they’re done, the majority of stage time sits in long scenes. At least it’s my hope that that’s the way it will go. I’m a little nervous starting tech, but the show is going to be so good, all we have to do is get through it.


June 6, 2009

Dolly – 1st Weekend

I call this: summer stock — Posted by KP @ 6:56 pm

We’re into our first weekend of Dolly rehearsals, and things are going really well. I have had hardly any time at all to see the ensemble, but they seem to be moving quickly. We’re all together this afternoon, so I can begin learning the full-company musical numbers.

Rehearsal with the principals has been great. They are all very talented, but most of all have great chemistry together. We are still deep in the stage of blocking and learning lines, but I’m very anxious to see just how good the show gets once everybody is secure in what they’re doing.

Tomorrow we’re going to do a workthrough of Act I. Should be exciting!


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