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December 14, 2009

The Friar Laurence of Stage Management

I call this: On the Road Again,theatre — Posted by KP @ 2:16 am

One of my favorite parts of the process is table work. This is where we sit around and read the play several times, while discussing anything that comes to mind about the text, character development, the meaning of the language, and plot points. It was during this time that I found the one character that truly speaks to me.

About Friar Laurence

One of the things we explored during table work for Romeo and Juliet is the arc of the supporting character of Friar Laurence. He is the confidante of both Romeo and Juliet, and throughout the play spends pretty much all his time trying to untangle the complications that prevent R&J from being able to happily marry, publicly declare their love, call off Juliet’s wedding to the eligible young nobleman to whom she has been betrothed, and end the ancient feud that has been dividing their families and disrupting the entire city of Verona with violence. With skills in spiritual matters, politics, and botany, the friar actually does a remarkable job of getting the young lovers out of some difficult situations.

So why do R&J, and a bunch of other people, end up dead after all?

Well it seems that every time Friar Laurence comes up with a brilliant plan to fix everything, fate intervenes to screw it all up again, usually worse than it was before. It was determined that the subtext of this situation is that every time this happens, Friar Laurence should say, Will Ferrell style, “SON OF A BITCH!!”

Let us examine:

Romeo comes to him with girl problems: he’s in love with Juliet, but their parents are not going to be happy. So the Friar sees this as an opportunity to fix everything by marrying them in secret, at which point they can consummate the marriage and it will be too late for the families to object, and suddenly they will all be in-laws and the feud will be over. Right?

So far, so good. They just need a few hours for the marriage to be consummated. And somehow, on his way home from the secret wedding, Romeo manages to kill Juliet’s cousin, which makes him a less-than-ideal son-in-law for the Capulets, and gets him banished from Verona. Oops. Problem #2. SON OF A BITCH!

No problem, Friar Laurence is on it. He hides Romeo at his cell, and in cahoots with Juliet’s nurse, arranges for Romeo to sneak into Juliet’s bedroom at night to say goodbye until they have time to explain everything and get Romeo’s name cleared.

So they say goodbye, and after Romeo leaves, Juliet is upset. Like really upset. Mom and Dad of course don’t understand why, so they’re like, “Hey, you know what’ll make you feel better? We’ve arranged for you to marry this guy Paris — two days from now!” SON OF A BITCH!!

So now there’s a very short timetable for the Friar to solve this problem, or else Juliet will be married to Paris, which is not only bad cause she doesn’t love him, but also a personal problem for the Friar because Juliet is already secretly married to Romeo, and for the Friar to knowingly marry her to two guys presents a serious religious dilemma. Oh, and on top of that, Juliet is holding a knife to her breast and threatening to kill herself if she has to go through with the second wedding.

But again, the Friar knows just what to do. He’s got a sleeping potion that Juliet can take on the night before the wedding, that will make her appear dead just long enough for her to be interred in her family tomb, after which point Romeo can bust her out and sneak her out of town. It seems like just sneaking her out of town awake would be easier, but I guess he likes the elegance of also convincing everyone that she’s dead so nobody bothers looking for her. The craziest thing about this plan is that it WORKS! Even when the wedding is moved up by a day (mini-son-of-a-bitch!), Juliet has the potion ready to go.

Woohoo! Good job, Friar Laurence! That one was really impressive. He’s covered all his bases here. He sends another Friar with a letter to Romeo explaining the whole plan, so that Romeo doesn’t freak out and think she’s actually dead, and will know to come to the tomb to rescue her. Except that Friar John gets delayed and doesn’t quite grasp the urgency of the letter, so it never gets delivered. And the whole wedding/death thing happens a day earlier than it was supposed to. SON OF A BITCH!!!

But it’s OK, the Friar will just have to get to the tomb in time to wake Juliet up and then they can wait for Romeo and fill him in.

Meanwhile, Romeo’s friend Benvolio thinks he’s doing a big favor by rushing to Mantua with the news that Juliet’s dead. So together they hire some fast horses and go immediately to the tomb so that Romeo can kill himself over Juliet’s not-really-dead body. SON OF A BITCH!!!!

But Juliet herself is still alive, and Friar Laurence tries to help her out to become a nun, until she finds out that Romeo’s dead, at which point she stabs herself. SON OF A BITCH!!!!!!

So as you can see, what we have here are a number of people who are all trying to do the right thing, and all do quite well at compensating for the obstacles in their way, but through a series of misfortunes outside their control, still manage to get totally screwed by fate.

Now About Me

It occurred to me this past week, as I was trying to schedule conference calls, that I am the Friar Laurence of stage management. My whole job is to solve people’s problems. And honestly I think I’ve been doing a nice job of it, but just when some extremely complicated situation has been perfectly arranged, something happens to ruin it all, and now I have a new problem to solve, and usually less time in which to do it. So I have taken some comfort in the shared plight of Friar Laurence, and the knowledge that even if some people can’t make the production meeting, or the rehearsal shoes arrive a day late, at least it’s highly unlikely that all my actors will wind up dead before opening night. And really, there’s a lesson in that for all of us — sometimes no amount of preparation can save you from pure bad luck. And in most cases, no matter how frustrating your day has been, Friar Laurence is having a worse day.


3 Comments »

  1. […] the key I’m using for blocking, FL is Friar Laurence, R is Romeo, naturally. (For more about what Friar Laurence has to do with stage management, you really should read my post on the […]

    Pingback by A Lesson in Taking Blocking « HeadsetChatter Blog — December 23, 2009 @ 10:03 am

  2. […] One of the things I hate most about my job is coordinating costume fittings, wig fittings, and haircuts. The schedules and needs of the director and costume designer, drapers, wig designers and hairdressers often conflict, and negotiating the actors through a very tight schedule without screwing anybody’s plans up can be very difficult, and usually gets screwed up by things you can’t control (a.k.a. Friar Laurence Syndrome). […]

    Pingback by Fittings and Haircuts « HeadsetChatter Blog — December 28, 2009 @ 6:13 pm

  3. […] the final scene, after all the dead bodies have been discovered, and the Friar is explaining his tale of woe, I was really tired of standing […]

    Pingback by Nap Day « HeadsetChatter Blog — March 5, 2010 @ 7:24 pm

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