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November 15, 2009

Joke of the Day

I call this: random,theatre — Posted by KP @ 5:20 am

The other night I was at Phantom, and in preparing the day’s in/out sheet was “in charge of comedy,” which is the technical term for flipping through old issues of The New Yorker and picking a funny cartoon, which will be pasted on the bottom of the sheet, copied and distributed, along with vital performance information, throughout the building in the hour-and-a-half prior to the show.

As soon as I found the below cartoon, I knew it was the one for me. I didn’t even finish looking through the issue in my hand. I was pleased to see several people specifically stop at the callboard to read the joke, and comment on it being funny.

IMG_0997

If you really must know, I blog in running shoes. Sometimes in socks.

For a few more tales of the Joke of the Day, see this post about the decorations in my Phantom calling script.


November 9, 2009

Razer Megalodon Review

I call this: computers,gaming,pc,tech — Posted by KP @ 10:18 pm

razer_megalodonI had been saving up for months so that I could get this headset before going back on the road. Why, you ask? Well for one thing, my surround headset of choice, the Medusa, was a 5.1 surround headset with analog connections — meaning it plugs into the audio out ports of your sound card, or for that matter, any regular audio equipment that accepts stereo mini plugs. I liked this option at the time because it’s compatible with all audio equipment and allows your sound card to do the heavy lifting, which is what it’s there for, after all. The other option, which the Medusa also offers, is to get it with a USB connector, in which case your computer has to figure out how the surround sounds should be sent out to your hardware, creating extra processing work. And of course, you can’t plug a USB connector into your stereo or TV. At least you couldn’t back then, what do I know about these newfangled TVs and stereos?

Then something happened that changed my mind: I started spending way more time away from home than at home, and suddenly my big fancy gaming PC was collecting dust, and I had to cobble together a way to make my laptop satisfying for gaming long-term.

My immediate solution was to connect the Medusa with its analog connections as a stereo headset to my Macbook Pro. First of all, you immediately lose the point of having such a nice headset, because the laptop (or most laptops for that matter) don’t support analog surround sound. So it’s just a really expensive stereo headset with a mic. Oh, and about the mic — the Macbook Pro’s audio-in jack is line-level, it doesn’t support unpowered mics, so you need Griffin’s iMic USB adapter or something similar. It’s a lot of crap to carry around, with no better performance than a cheap $15 USB headset from Radio Shack.

So this past summer, I bought a cheap $15 Radio Shack headset, just to carry to the theatre, and laughed when the guys I play online with said I sounded much better than on my old ($125) headset.

But the true problem I was having with life on the road was the lack of surround sound. The game I play, Battleground Europe, is very audio-dependent if you want to survive for long as infantry, and playing in stereo basically means spinning in circles to figure out where a sound is coming from based on where it sounds loudest. The way I was used to playing is that I could hear a single rifle shot and know if it was friendly or enemy, almost an exact direction, and an approximate distance. With one shot I would know exactly where the enemy was, and could turn right to him and shoot back, or move quickly to flank around him if he wasn’t visible. With stereo headphones that’s not possible at all. So I realized that the circumstances of my life required that I would need a USB headset if I ever hoped to play with surround.

It was around this time that Razer released the Megalodon — a 7.1 surround headset, powered by USB, and featuring a nice control box that allows you to adjust volume and a number of other features with just a few buttons.

I saved up all summer, and purchased it in the fall to prepare for going on the road. And now I’ve used it enough to answer all your burning questions.

Wait – first of all, what is a Megalodon?

Razer likes to name their products after fearsome animals. Sort of like how the Navy names different classes of ships after states, presidents, etc., Razer also has naming conventions. Mice are always snakes, for instance (see my review of the Mamba). Well headsets are… fish. Usually bad-ass fish. Cause nobody wants to brag about how they’re gonna frag your ass with their Goldfish.

The megalodon is a shark (thank you, Wikipedia). As you might have guessed from the name, which sounds kind of like it means “big-ass dinosaur,” it’s a prehistoric shark, a friggin’ huge prehistoric shark, which is estimated to have been up to 56ft in length.

Here’s a dude sitting in one’s mouth. RAAAAWWRR!!
585px-Carcharodon_megalodon

Are you gonna review this thing or not?

Hold your horses, you’re gonna get some educatin’ with your gaming peripheral review. OK, now I’m ready.

Setup

The Megalodon connects to your computer with a simple USB plug. According to the specs it does not require USB 2.0, but a powered USB port is recommended. I tried it in my keyboard USB port (which is USB 1.1 and connected through a hub), and it was none too happy.

You don’t have to install any drivers, they are built into the control box and will automatically configure whatever computer you plug it into. Nice, huh?

Because the headphones are USB, they don’t require a sound card, which is good if you’ve got crappy sound in your rig or laptop, or bad if you’ve got a really expensive sound card waiting to be used.

The Control Box

About four feet down the braided-fiber-covered cable from the headset is the control box, which looks kind of like an iPod that’s been attacked by a gaming device. It has a scroll wheel (which actually turns like ye olde iPode, it’s not touch-sensitive). In the center is the Select button, with a nice light-up Razer logo on it.

mega_control

On the left side is a volume meter which indicates different things depending on what mode it’s in, but usually it’s just your plain old volume.

At the top is a button that says Maelstrom. That’s Razer’s name for the technology that processes the 7.1 surround sound. You can push that button to toggle between 2.0 (stereo) and 7.1 mode, and the appropriate number will light up in blue on the left or right of the button. It will also cause the speaker icons around the box to light up, to show all seven speakers, or just the two at the top. Razer recommends listening to stereo sources in 2.0 mode, because the Maelstrom engine is apparently not helpful unless your source is 5.1 or 7.1 surround, and will just make it sound kind of funny.

There are three buttons on the bottom of the scroll wheel, all of which are mic-related:

  • Mic mute — mutes the mic, of course, and also lights up red when activated, so hopefully you’ll notice that you’re muted and not talk to yourself for 10 minutes like one of my squad leaders is fond of doing
  • Mic sens — while this button is pressed you can use the scroll wheel to adjust the mic’s sensitivity (shown on the volume meter)
  • Mic level — adjusts the volume of your mic’s output

The nice thing about these features is that when they are activated you can hear yourself in the earphones, so you can check right away how it sounds (in the business this is called sidetone, which is one of those terms that makes me feel really smart when I use it to explain what’s wrong with my comm).

Other Features

If you press the center button it will highlight each set of speakers on the control box and let you adjust their relative levels. You can’t independently set levels for left and right, only for each type: center, front, middle, rear, and bass.

There’s also a hidden, undocumented setting where you hold something while pressing something else. I can’t remember what it does, though. But when I find it I’ll add it.

These are all you get — there is no software to install, which also means no control over the finer points of your audio experience. They plug in and they work. I find that really great for being on the road, but it’s a little unnerving as a PC gamer geek. However, I have never felt a strong desire to tinker with the settings, which is more than I can say for the Medusa, which was mostly a product of my sound card (SB Audigy 2ZS) flipping the hell out every time I changed video drivers.

The Hardware

The main difference between these headphones and the Medusa (well basically between the Medusa and any other gaming headphones I know of) is that the Medusa creates surround sound by actually having three separate speakers in each earpiece. Most other headsets use software to figure out how to balance each sound to trick your ear into perceiving its correct direction. I thought the Medusas were pretty amazing, but the Megalodon does a nice job of indicating direction, too.

The first thing I really like about these, especially for travel purposes, is that they’re very light. They look just as bulky, but the materials are very lightweight. If you have an unruly child, or perhaps just like slamming your headset on your desk when you get killed in particularly inglorious fashion, I’d wager they won’t hold up nearly as well. But if you can be a civilized gamer, the build quality seems good, if a little more delicate.

The mic is a single piece of plastic, it doesn’t bend into position. It has a little bit of flexibility in the middle, though I don’t think that allows you to keep the shape you want, it just bends enough so it doesn’t snap accidentally. My professional feeling on headset mic booms, if you really want to know, is that I prefer the ones you can bend into any shape… until they get worn out and won’t stay where you put them. The nice thing about the solid ones is that when you put them somewhere, you can trust that they’re still there the next time you have to call a cue. And I feel the same way about gaming headsets.

The headset seems to shrink down to a pretty small size for an adult head, and expands quite a bit. I don’t know how it would do with a little kid, as thankfully I don’t have any kids here to test with, so I think you’ll have to look elsewhere for opinions if you’re a really cool and/or crazy parent to buy your small child a $150 headset.

The velvet ear pads are very comfortable. The headphones don’t block out outside noise particularly well, but that’s not always a bad thing.

Accessories

One of the coolest things about this headset, that caught me completely by surprise when I opened it, is the carrying case it comes with. It has a semi-hard shell, molded to fit the headset and control box on the inside, which closes with a zipper, clam-shell style. If you stomped on it, bad things might happen, but it will definitely keep your headset safe in most travel situations, and like the headset itself, is surprisingly lightweight, so there’s no reason not to use it. I can’t wait to go on the road with this thing. I will feel better about traveling with my expensive headset, and will know that the cord won’t be getting all tangled up in my pajamas. Getting pajamas at gametime or headset at bedtime is not productive. It’s going to be a very clear distinction from now on.

mega_case

My rough scientific analysis which consisted of me stepping on a scale both holding and not-holding the case with headset in it puts its total weight at 1.5lbs. I’ve probably told you I obsess over the weight of my suitcase, so this is very good news. Incidentally, the Medusa weighs 1lb, without a case or control box.

Does it work with Mac?

appleRazer’s official answer on this is kind of, “um, maybe, we think, but we’re not sure.” What I can tell you is that you can definitely plug them in and listen to regular audio with them (you have to select them in your audio settings to make the headphones and mic the active input and output). I don’t have any surround games to play with on the Mac end right now, but on listening to a few minutes of a 5.1 DVD, it certainly sounded like it was working. Which pretty much convinced me that that’s the only way I can ever listen to a DVD on my Mac again.

Does it work with TrackIR’s TrackClip Pro?

Yes. The TrackClip Pro clips rather nicely to the headband, as shown here.

mega_trackir

Summary

Pros

  • light weight
  • simple, literally plug-and-play setup
  • awesome carrying case
  • comfortable fit
  • no soundcard required
  • easy access to volume and mic settings
  • shape is compatible with TrackIR TrackClip Pro

Cons

  • no detailed software configuration possible
  • control box adds bulk compared to simpler alternatives
  • I wish there was a simple audio out jack on the control box so I could plug in external speakers or otherwise get sound out besides using the headphones.
  • not compatible with standard audio equipment, or console gaming systems

Overall I’m very happy with it. There’s not much to play with, but I think especially on the road that will be very good. I don’t have a lot of time to play, and if I’m in a hotel at all it’s generally a new one every night. Being able to take the headset out of the bag and plug it in without worrying any more about it for the rest of the night is just what I need.

Alternatives

If the lack of software controls bothers you, there is also the Logitech G35 7.1 headset which has its own control panel and apparently some nice features. Before you get all excited, I will leave you with a picture of what it looks like:
17299.1.0


November 4, 2009

On Google Wave

I call this: computers,tech — Posted by KP @ 3:58 pm
Here’s my contribution to the “What the hell is Google Wave and how do I use it?” department of the world wide web.

So what the hell is Google Wave?

This is a really complicated question. The simple answer is
“It can’t be described because it’s like nothing there’s ever been before, man. It’s, like, going to change the way we communicate forever!”

This is at once true, and a cop-out.

But first, here’s a picture of my current Wave window, so you can put some context to what I’m about to tell you. You can click on it to blow it up.
wave

So it’s like…?

  • It’s kinda like email

    If you wanted to, you could use it just like email. The basic Wave screen looks like most email clients, with a 3-pane vertical setup for your inbox, trash, etc. on the left, a list of your waves in the middle, and a display on the right of the current wave you’re reading.

    A wave is a series of replies. In email terms, it would be like seeing the history of replies by scrolling down the email. Except instead of being plain text, it’s threaded, and automatically time stamped, and can be edited and added to. It can include multiple people, and since it’s all contained in one conversation, you don’t have to worry about someone not being CCed or missing someone else’s reply. You also can see the other person typing in real time, which is at once cool, and the source of great insecurity. It also has a “playback” feature where you can read the conversation in the order it was written, so if you’re joining in late, you can understand how the discussion evolved. But still, so far, it’s kinda like email.

  • It’s kinda like IM

    So you’re thinking, wow, I can chat with someone else in real time and see them typing. Isn’t that just like IM? Well yes. I’m not aware of any IM that supports threaded conversations, but I suppose there might be. I doubt it would be as robust, with the ability to go back and edit stuff.

  • It’s kinda like IRC, Usenet, forums, group IM

    One of the cool things about Wave is that it can be used for group conversations. Which is kinda like IRC and group IMs, except it’s more persistent, so it’s kinda like a forum or usenet.

    It can be used for realtime communication if everyone is online at the same time. I was just in a public wave about Mac software and some guys helped me pick out a trackpad app for my iPhone (Touchpad is what I went with). So you can chat in real time, or come back later and read the responses people have left, like in a forum. The thing that makes it unique, is that it can be both at once, and is threaded. A simple tap of the spacebar moves you to the next unread post (which is called a blip), so you can find the new stuff easily among all the threads.

    Also, like a forum, you can post pictures, polls, maps, widgets and other non-text goodies that others can see and interact with. “Isn’t it going to end up like MySpace?” Yes. Yes it is. They will need to have some robust features in place to make sure it’s controllable. The coolest thing about it is that it supports drag-and-drop via a browser extension called Google Gears. This is very new, and I actually don’t have it installed myself yet, because it’s not yet compatible with Snow Leopard and I haven’t felt a pressing need to try it in other OSes. The important thing is, Wave will support drag-and-drop media, which will be a great relief to those who want to post pics but don’t like dealing with Photobucket, IMG code, and so forth. Even as someone who understands HTML, the hassle of getting a picture from my computer hosted and linked discourages me from doing it. Have you noticed how many posts I’ve made lately that don’t have pics? It’s not even that hard on WordPress, but it’s still annoying.

    Also, like a forum, Wave has many common formatting features like text size, color, background color, bold, italic and underline, etc. to make your text stand out. Some people are doing really obnoxious things with text background right now.

  • It’s kinda like Twitter

    You can use it to post little updates. There is also a plugin that creates a wave that allows you to see your Twitter feed and make posts from it, so you can actually use Twitter with it, or it could become a replacement for microbloggers instead of Twitter.

  • It’s kinda like a blog

    Some people are using it for blogging. I like to think of myself as a person open to new technology and ways of thinking, but this one blows my mind a little too much to begin using it. I have seen a blog that actually has a Wave window embedded in it, where visitors to the blog can contribute to the wave right from the blog (or from the Wave interface). Someday this will be really cool, but Wave is very slow right now in this developmental phase, and there aren’t many people who have access to it, so it’s not something I want to get into right now.

    What I see this being useful for is comments on blog posts. You know how each post has the comment thingy at the bottom? Imagine that being a Wave instead, where you don’t need to register with the blog, you just post as your Wave identity, and can have a real-time (or not) threaded discussion with other visitor and the blogger. It would be immensely cool, and I can’t wait for it to be practical to implement that. Wave also supports private servers, so you can use the main Google servers or host your own (this feature came out literally yesterday, so it’s not something normal people can actually implement right now). So theoretically my self-hosted blog could have its own private comment waves, but I’m not sure I like that. I also don’t know if that means people would have to register separately (as they do now to post comments on self-hosted WordPress), which would suck.

    OK, how do I get it?

    Like most Google products, they are rolling it out slowly. They invite a bunch of people. Those people start to use it. When they’re ready for more users, they give the initial group a limited number of invites to give out to friends (or sell on eBay). I got in on the 2nd round of invites, from a sound man I used to work with, who also works in IT and obviously knows the right people! So far I have not been given any invites to give out myself, nor has anyone among the group who were accepted along with me, so far as I can tell. I can’t wait until I do, because I need to get the people I work with on it so we can start collaborating!

    If you want to try it, you have to find somebody with an invite. I suggest posting on your Twitter and/or Facebook that you’re looking for one, maybe one of your friends has one. You will then get a dozen or so responses saying, “WTF is Google Wave?”, at which point you provide the link to this post. If you’re lucky, one person of your 400 friends will know what you’re talking about and have an invite.

    OK, I got it. Now how does this work?

    Since so few people have been let in, you probably don’t know that many other people who have it (maybe just the one dude who got you the invite). If you want to try out the email-like-ness of Wave, you’re going to be bored.

    Here’s the first thing you need to know while you wait for some friends:

    with:public

    This is how you talk to the Wave community at large. Type this into your search bar above your inbox, and it will display all the public waves. There’s a ton of them, and you will see it updating in real time, which means several new ones will pop up every second. Some will be in languages you (and your computer) don’t speak. It’s incredibly overwhelming, but there it is.

    AAAAAH!!! Too many Waves! Now what?

    OK, now you need to narrow it down. You can add an additional search term after “with:public”, such as

    with:public iphone

    This will bring up all the waves that contain the word iPhone, which is a lot, which sadly mostly don’t actually have much to do with the iPhone. You can also search for phrases like

    with:public “iphone apps”

    which might help a little.

    If you want to make sure you’re really going to get a list of Waves that are about what you’re searching for, you should use tags. You can see tags at the bottom of the window of the wave you’re currently reading. You can click on these to bring up all the waves with that tag, or you can search blindly from the search bar to see if anyone is using a tag you might be interested in.

    tag:theatre

    The problem I’ve found so far with tags is that not enough people are using them. The fascinating thing about this experience is watching people figure out how to use this new tool. I assume that soon everyone will realize there are just too many waves and possible search results, and that tags are a better way to find waves that are about what you’re interested in, rather than simply containing a key word, and will make sure their waves are tagged for easy searching.

    in conclusion

    I’m really excited about the future of this idea. I see a lot of potential for its use in theatre, to allow collaborators all over the country to share ideas quickly and clearly (imagine the set designer linking to his latest groundplan while the lighting designer comments on it, and everybody else gets kept in the loop and can ask questions.)

    I can think of some specific instances last year with The Acting Company where we would have needed this, while the costume designer tried to describe the shape of a scabbard to the prop supervisor on a conference call between New York and Minneapolis. “There’s a picture in that email I sent out. Oh, you weren’t cc’ed on that?” Once Wave is open to everybody, I truly believe it will change the way we put shows together.

    I also hope that it ends up being robust enough to replace forums and comment threads on blogs, because it’s a much more powerful and standardized way to have discussions.

    It’s still very much in the alpha stage, so don’t expect a finished product if you do get in, but I’m looking forward to seeing it grow, because the potential is amazing if they do it right.


November 3, 2009

Dear Windows XP

I call this: computers,mac,pc,tech — Posted by KP @ 5:27 pm

Hi, what’s up?

Sorry to bother you, as I know you are a highly complex operating system that is the result of decades of development by presumably the most brilliant minds in computing that money can buy, and I am just some girl with no formal training in computer science who is trying to do a clean install of Windows, but I need to tell you a few things.

My hard drive has two partitions

I’ll put this in really simple terms you can understand.
One, which you call drive C:, is formatted for NTFS, because I knew you’d like it. With a little help from my friends at Apple, they gave me this thing called Boot Camp, which helped me to install you, since my Macbook Pro doesn’t have a floppy drive. Boy was I glad they were around!

So you’re installed on drive C: (which I assumed would be something you’d be interested enough in knowing that I don’t have to tell you in a blog post).

There’s also another partition, which until now you have been calling drive F:. This is my Mac partition. It’s a lot bigger because that’s where I get actual work done. Anyway, you don’t need to know anything about that. It’s formatted in HFS+, which I know you don’t like, so I was hoping you’d just ignore it and we’d both be happy.

I needed to install SP3

I’m sure you were very excited to take advantage of whatever features it has, probably really obvious things that I wouldn’t believe weren’t in any earlier versions of XP if I bothered to look it up.

So I downloaded SP3, and you happily began installing it. You never asked me where to put it, and I didn’t expect you to, because hey, you’re not a bad OS, and I figured you knew the difference between an install of WindowsXP and well, anything else.
This is a bunny with a pancake on its head. It, also, is not a valid install of WindowsXP, and will not accept an upgrade to SP3:
pancakebunny

So I thought you had this under control, but then you started giving me those error messages. And I started to think, “Why does Windows always do this? Why is it when I’m performing an installation that should have no conceivable way for the user to screw it up, does it say things like, ‘Cannot find file: xp_something_really_important_sounding_4226s.dll’?” And then you look at me, like I have it, like I’ve been hiding it from you.

I was disappointed in you. All I’ve done on this drive is install Windows, and continue installing Windows updates. How could you not know where this file is? There’s also this new thing called the Internet, which I know you know about cause I’ve been using it since 3.11, and maybe you could find the file there, since that’s where you got this whole service pack from anyway. But no, you just expected me to have it.

So I did a google for it. And I happened to find one result that was talking about getting the error while installing Boot Camp. And you know what I found? In that case it was because you were trying to install SP3 on the user’s Mac partition.

So while I was hitting “cancel” in every place I could find it while simultaneously shaking my other index finger and saying, “oh no, you d’in’t!”, I noticed a progress display in one of your many redundant install windows showing you nonchalantly trying to uninstall files from drive F:, thinking I wouldn’t notice, and you could tell me it must have been some virus I have that screwed up the install, right? And then you could pop up that little shield again in my taskbar, cause, you know, dismissing it multiple times a day for years wouldn’t give you the hint that I don’t want antivirus software slowing down the OS that doesn’t contain any data valuable enough to need protecting.

What the hell were you thinking?!

What ever possessed you to think that volume had anything on it you could use?
Was it formatted in a file system you can run Windows on?
Did it currently have anything resembling Windows on it?
Was there another drive, perhaps named C:, (cause I know for you that tends to mean it’s the primary hard drive, but maybe you just call it that because you like the letter C) that you could also have used?
Does this suspicious-looking drive C: contain an install of Windows?
Is it possible it’s the very drive and installation of WindowsXP that you’re currently running in??
Did it occur to you that maybe that’s where you should be installing SP3?!?

In Conclusion

My friends over at Apple actually have a knowledgebase article about this. Their solution is different than the one I used (which was to disable the drive letter for the Mac partition while installing SP3). Either way, maybe you could pass this on to the next hapless person who tried to accomplish anything with you.

And lest you think I’m ungrateful, thanks for not being Vista.
Sincerely,
Karen


October 31, 2009

Wrapping Up

I call this: theatre — Posted by KP @ 7:55 pm

It’s almost time to say goodbye to Inventing Avi. We close tomorrow afternoon, bringing our two-month process to a very successful end.

It’s been a great time from beginning to end, and I’ve gotten to experience pretty much every aspect of the production in my journey from ASM to PSM.

We’re just enjoying the last few performances now, hanging out in the greenroom before the show. The “greenroom” kind of extends to the entire backstage hallway where the other dressing rooms are. People pretty much yell between any room in the backstage environment.

The show was filmed for archival purposes last night, which gives us Equity members a nice unexpected extra paycheck.

I’m very excited to have some free time to prepare for the Acting Company tour, but I will definitely miss this show and the people working on it.


Site Updates

I call this: tech — Posted by KP @ 4:54 am

You’ll see some changes to the layout happened overnight.

Dear IE6 Users: I hope you’re both happier now

It started out with me wanting to make the site look just a tiny bit better in IE6. Our computer at the office has it, which has given me an opportunity to see just how craptastic it is. IE6 users make up 1% of my traffic, so I’m not willing to compromise too much — make that at all — but I wanted to fix any glaring mistakes.

One thing is that my resume was illegible because IE6 doesn’t take kindly to being given font sizes in percentages. By switching to pixels everybody’s happy, and now some producer with an old computer who doesn’t know how to download Firefox can read my resume.

The other major ugliness is that IE6 doesn’t support transparency in PNG images. It does support transparent GIFs, but GIFs are naturally lower quality. I tried to save the logo as a GIF and it looked awful around the edges. I felt I had tried. But tonight, I decided to try again, and when I cheated by using the matte feature in Photoshop to tell it what color the edges should blend into (I chose my favorite gray, #333333, which blends quite well with the carbon fiber background), it actually looked basically the same as the PNG. And the file size is a third of the original. So now IE6 users will see the nice clean lines of the logo and the bullet points.

OK so how do I know this? I found a nice little program called MultipleIE. It’s a Windows-based program that only runs on XP. It automatically installs a copy of whatever old version(s) of IE you want, from 3.0 to 6.0, and does not interfere with whatever newer version you have. I run Windows virtually in Parallels, so it’s easy to flip between coding on the Mac and checking Safari, and then checking how it looks in Windows.

I still have some more little ugliness to address (some of it in IE8 as well), which I will look into some other time when it’s not 5AM on a matinee day.

Warning: More Geek Speak Ahead

This morning I was reading about CSS3 and HTML5, both web standards that are all new and fancy and not yet completely supported by even the most current browsers. But I found it interesting to think that I could start playing around with some of these features, so long as they don’t make the site look bad in older browsers.

The biggest thing I played with tonight is the idea of curved boxes. I’ve always wanted curved boxes, but my philosophy with this site is that I want it to be flexible and code-based, and not wrestled into looking pretty with a bunch of images strung together that only look good in one size window.

However, using the CSS3 properties -moz-border-radius and -webkit-border-radius (for Mozilla and Webkit-based browsers, naturally), you can specify the radius in pixels (I used 10). There are also ways to add curves to each corner individually. This is the page where I learned about it. The best part of all this is that if you’re using Firefox or Safari, the site will look really cool. If you’re using something else, it will just look rectangular instead of curvy, which is not as cool, but still not bad. It doesn’t punish people for having an older browser, it’s just an added bonus for those who do. That’s why I’ve always had text shadows, and have stuck to color combinations that are still legible without the shadow.


October 23, 2009

So There

I call this: theatre — Posted by KP @ 3:45 pm

So you know how Josh just got a production contract and I’ve been running our show.

Well today I found out I’m getting a production contract, too.

…For two performances I did a month and a half ago.

After a series of negotiations on Facebook, I have made arrangements to sign this document, which will guarantee that last month I was able to pay all my utility bills. And probably used the change left over for a couple pumpkin spice lattes.

See, they’re actually required to tell you this when you sign it — it’s the first thing on the top. Josh’s contract is going to pay his RENT. I think PHANTOM describes mine quite well!


October 20, 2009

Day 1 as PSM

I call this: theatre — Posted by KP @ 11:48 pm

So today was my first day as PSM. I got in early to make sure the theatre was open for Michelle to bring the laundry back at 4:30. At 5:30 more people started to arrive (it was a 7:00 show). Mark Waldrop (director) comes in, which I was expecting, because he said last week he’d come to watch the show Tuesday night. But he’s not here to watch the show. He’s here to talk to me about scheduling rehearsal! At this point I’m imagining the text message I’m going to send Josh. We were all under the impression there would be no rehearsal once the show opened. I actually thought it was contractual, but soon discovered when I actually read the LOA that it’s not.

The thing is that the show is doing well and there are a lot of people hoping it will have a life after this, so even though we only have two more weeks, this is important time for the writers to make adjustments and try them out in front of audiences. So here I am, first day, scheduling rehearsal. And the lighting will need to change so I’m working with the designer about that.

The show itself went really well. I was saying early in the evening how I was worried about Mark watching because the 2nd performance is always the worst one. I was secretly happy when he said he wouldn’t be watching, but as it turns out the show was perfect. Which must be a world record or something because I find most 2nd performances are disastrous. You get relaxed cause you’ve done it once, and forget that you still don’t really know what you’re doing.

The other thing I was able to experience by calling the show alone for the first time is that it’s really fun. It’s got just the right pace of cues to have lots of action with just enough down time. Not to mention the show is just funny, and that alone will keep me entertained for another 13 performances.


Google Wave

I call this: computers,tech — Posted by KP @ 12:44 pm
Update: I have made a much more comprehensive post about Wave.

So after some begging and much waiting, I got myself an invite to Google Wave. I haven’t had much opportunity to try it out since as far as I know only one person I know has it. I’m looking forward to it being released to more people so I can start playing around with it. It does look like it would be very helpful for conversations about productions, especially since the nature of my upcoming tour has us rehearsing halfway across the country from where the designers and crew are, and from where the set is being built.

Here’s a cute YouTube video that I found which explains “3.5%” of the functionality of Google Wave, namely how it can replace and improve upon email.

Reservations

I like to keep things forever, and I tend to refer back to them over time. My email folder goes back to 2003 (I can’t remember what I did to lose my data from before that, but that’s when I got my Equity card, so it covers pretty much all major shows I’ve done). If I can manage not to screw anything up, I fully expect to be able to be able to read my emails from 2003 fifty years from now. If I can’t, something is wrong with the choices we have made technologically. I don’t have a problem with cloud computing, as long as I can have a copy of everything locally, in an open format that doesn’t depend upon one company staying in business and supporting that format for me to continue to be able to access and manipulate my data. If Google Wave catches on, I will need to know that it can be saved with the same certainty as email.

It’s still very much a beta, but I like the concept in general and I’m excited to see what it turns out to be useful for.


October 19, 2009

Movin’ On Up

I call this: theatre — Posted by KP @ 12:07 am

The big news this weekend is that Josh, my good friend and current PSM, has been hired as an emergency replacement ASM on the Rent tour for the next 4-6 weeks. This happened on opening night, and took about a day and a half to get resolved.

The final outcome is that Josh is leaving the show after today, I’m becoming the PSM, and my assistant from the road, Nick, who was to be our sub for Josh’s scheduled day off on Halloween, was rushed into training to become the full-time ASM. Today I called the show for the first time, and thankfully didn’t screw anything up.

Let’s be honest: the absolute best thing about this is that it means I can stop wearing black. It’s been a really long time since I was an ASM, and my wardrobe no longer supports long-term wearing of black, and I miss my comfy white-and-green Pumas. Today was awesome. I wore not a stitch of black!


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